Interaction-With-Interference (I∩I): Unconcealing The Illusion of Media Spectacle in Quantum-Like Society

Authors

DOI:

https://doi.org/10.17576/ebangi.2025.2204.67

Keywords:

Media Spectacle, Digital Illusion, I∩I, Quantum Aesthetics, Interactive Animation, IYQ

Abstract

In the digital age, media spectacle relies on images and illusions to shape perception and judgement, yet interactive interference in communication remains underexplored. UNESCO’s promotion of art-based quantum literacy has reshaped Scientific Aesthetics. The metaphor of a Quantum Society, rooted in superposition, entanglement, uncertainty, and emergence, offers a critical lens on social structures and behaviours but has rarely been integrated with media-spectacle studies, leaving gaps on how interactive media and interference shape social dynamics and aesthetic experience. This research advances Interaction-with-Interference (I∩I) to examine how interference modulates information flow, exposes the illusion of spectacle in a quantum-like society, and characterises interactive spectacle, including user participation, immersion, and quantum-inspired design, while foregrounding the creative potential of interference aesthetics in interactive animation. Methods combined theoretical analysis of spectacle’s evolution with an empirical programme: a one-minute PDTM (Preference and Dwell-Time Measurement) comparing dynamic for A/B Choice, quantum-inspired elements (uncertainty, randomness, superposition) to static controls; a questionnaire probing quantum concepts as artistic inspirations; and qualitative interviews on media interaction and interference. Results show increased interaction time in the dynamic environment, with 67.1% preferring it; the survey identified Uncertainty and Superposition as top inspirations; interviews highlighted addiction, filter bubbles, and misinformation, alongside creative affordances of interference aesthetics. We conclude that I∩I offers a novel interdisciplinary perspective in which interaction and interference are inherently integrated, reframing interference as vital to creativity and guiding interactive design that harmonises technological advances with humanistic values.ReferencesAurelius, M. 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Author Biographies

Zhao Jie, Tianjin Academy of Fine Arts

(b.1983, Qingdao, China) is Associate Professor and Master Supervisor at Tianjin Academy of Fine Arts (TAFA), China, and a PhD candidate in Artistic and Creative Technology at Universiti Teknologi MARA (UiTM), Malaysia. His research focuses on 3D animation, interactive art, and communication studies, with an emphasis on digital sustainability and cross-cultural innovation.

Sanghamitra Dalal, Universiti Teknologi MARA

Dr Sanghamitra DALAL is a Senior Lecturer at the Department of Creative Writing, Faculty of Film, Theatre and Animation, Universiti Teknologi MARA, Selangor, Malaysia. She completed a PhD in postcolonial diasporic literature at Monash University, Melbourne, Australia, and had taught in India and Germany. Her research interests include postcolonial migration and diasporic literatures, with special interest in South and Southeast Asian literatures in English, transnational and transcultural literatures, life writing, and food writing. She is the Managing Editor of the "Journal of Creative Arts" and on the Editorial Board of "Rupkatha Journal on Interdisciplinary Studies in Humanities" and "Literary Voice: A Peer Reviewed Journal of English Studies". She has also served as one of the voluntary judges for The Queen’s Commonwealth Essay Competition (QCEC), organized by The Royal Commonwealth Society, London, UK, from 2021-2024.

Mohd Syuhaidi Abu Bakar, Universiti Teknologi MARA

Mohd Syuhaidi holds a Doctor of Philosophy in Mass Communication, a Master of Corporate Communication, a Diploma of Education, a Diploma in Information Management and a Bachelor of Mass Communication (Hons.) (Journalism). In his spare time, Mohd Syuhaidi spends his time looking out for potential conferences he could attend, enjoy good food, movies, and music. Mohd Syuhaidi is a man with a dream. A very simple dreams, mostly involving nachos and nasi lemak, but a dream nonetheless.

WAN AIDA WAN YAHAYA, Universiti Teknologi MARA

FAKULTI FILEM, TEATER DAN ANIMASIUiTM Service Start Date : 09-July-2001TEKNOLOGIS PROFESIONAL - ART DESIGN & CREATIVE MULTIMEDIA TECHNOLOGY (AM) (KELAYAKAN PROFESIONAL) , LEMBAGA TEKNOLOGIS MALAYSIA (MBOT)DOCTOR OF PHILOSOPHY (SCREEN WRITING) (PHD) , MONASH UNIVERSITY, AUSTRALIA - GIPPSLANDMASTER OF ARTS IN WRITING FOR THE MEDIA (SARJANA (MASTER)) , MACQUARIE UNIVERSITY, SYDNEY, AUSTRALIABACHELOR OF EDUCATION (TESL) (IJAZAH SARJANA MUDA (KEPUJIAN)) , UNIVERSITI PUTRA MALAYSIA

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2025-11-30

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