Interaction-With-Interference (I∩I): Unconcealing The Illusion of Media Spectacle in Quantum-Like Society
DOI:
https://doi.org/10.17576/ebangi.2025.2204.67Keywords:
Media Spectacle, Digital Illusion, I∩I, Quantum Aesthetics, Interactive Animation, IYQAbstract
In the digital age, media spectacle relies on images and illusions to shape perception and judgement, yet interactive interference in communication remains underexplored. UNESCO’s promotion of art-based quantum literacy has reshaped Scientific Aesthetics. The metaphor of a Quantum Society, rooted in superposition, entanglement, uncertainty, and emergence, offers a critical lens on social structures and behaviours but has rarely been integrated with media-spectacle studies, leaving gaps on how interactive media and interference shape social dynamics and aesthetic experience. This research advances Interaction-with-Interference (I∩I) to examine how interference modulates information flow, exposes the illusion of spectacle in a quantum-like society, and characterises interactive spectacle, including user participation, immersion, and quantum-inspired design, while foregrounding the creative potential of interference aesthetics in interactive animation. Methods combined theoretical analysis of spectacle’s evolution with an empirical programme: a one-minute PDTM (Preference and Dwell-Time Measurement) comparing dynamic for A/B Choice, quantum-inspired elements (uncertainty, randomness, superposition) to static controls; a questionnaire probing quantum concepts as artistic inspirations; and qualitative interviews on media interaction and interference. Results show increased interaction time in the dynamic environment, with 67.1% preferring it; the survey identified Uncertainty and Superposition as top inspirations; interviews highlighted addiction, filter bubbles, and misinformation, alongside creative affordances of interference aesthetics. We conclude that I∩I offers a novel interdisciplinary perspective in which interaction and interference are inherently integrated, reframing interference as vital to creativity and guiding interactive design that harmonises technological advances with humanistic values.ReferencesAurelius, M. 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2025-11-30
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