Glocalizing creative hub concept for Malaysian creative city development: A conceptual review
Abstract
The creative hub concept is gaining popularity globally as a tool within the creative economy to generate socio-economic and cultural values for societal and community development. Though the concept is nascent and the creative hub itself can be manifested in variegated forms, the notion is oftentimes linked to urban development particularly the way creative hubs are found to be subsumed and contribute towards the growth of creative industries en route the formation of a creative city. Against this backdrop, this paper aims to explore the creative hub concept and the way this global concept it is being understood, adopted and adapted locally amidst Malaysian local nuances. Based on secondary data sources, a systematic literature review was conducted to review global definitions, concepts, examples and illustrate how creative hubs are linked to creative city development and sustainable urban development. Literature review based on similar themes for the Malaysian context showed that the creative hub concept is also variegated, and each hub is shaped by the initiators, funding model and formation purpose of either commercial, social or culture and artistic. The paper concludes that reconceptualization of Malaysian creative hubs is timely and apt by taking into consideration also elements like location, culture-specificity and the influence of ICT as the creative hub concept, its form and operations morph and navigate in response to the current global COVID-19 pandemic. The implications that derive from this study will have conceptual, practical and policy implications when adopting and adapting the creative hub concept for the Malaysian context.
Keywords: Creative cities, creative hubs, concept, Malaysia
Keywords
Full Text:
PDFReferences
AuthentiCity. (2008). Creative City Planning Framework. A supporting document to the agenda for prosperity: Prospectus for a Great City. Prepared for the City of Toronto by AuthentiCity (pp. 1-44), Toronto, Canada. Retrieved from http://www.torontocreativecity.ca/wp-content/uploads/2018/02/2008-Creative-City-Planning-Network.pdf
British Council. (2018). Creative Hubs – Opportunities and Challenges for Intercultural Dialogue. Retrieved from https://connectforcreativity.eu/wp-content/uploads/2020/01/200107 _Report_EN_Digital.pdf
British Council. (2016). Creative Hubs Report. Retrieved from https://creativeconomy.britishcouncil.org/projects/hubs
British Council. (2015). Creative HubKit. Retrieved from britishcouncil.my/sites/default/files/ creative-hubkit.pdf
Chen, A. X. (2010). Understanding Creative Hubs: The Agglomeration of Creativity in Toronto (Master dissertation). Retrieved from Ryerson University, Toronto, Canada.
Dovey, J., Pratt, A.C., Moreton, S., Virani, T., Merkel, J., & Lansdowne, J. (2016). Creative Hubs: Understanding the New Economy, City University of London (in association with University of West England, REACT, Creativeworks London, and The Watershed).
Duchesneau, M.-O., & Déziel, G. (2019). The Creative Hub, An Emerging Organizational Entity with Great Potential for Arts and Culture. Retrieved from https://cmf-fmc.ca/now-next/articles/creative-hub-report-telefilm-canada-guillaume-deziel/
Elshater, A.M., & Ibraheem, F. (2014). From Typology Concept to Smart Transportation Hub, Procedia – Social and Behavioral Sciences 153, 531-541.
Evers, H. D. (2011). Penang as a knowledge hub. Penang Economic Monthly, 36-39.
Frost & Sullivan, MyPAA (My Performing Arts Agency) and TFCC (Tom Fleming Creative Consultancy). (n.d.). Kuala Lumpur as a Cultural & Creative City. A Project Report. Cultural Economy Development Agency (CENDANA), Malaysia. Retrieved from https://www.cendana.com.my/clients/asset_7133D9E8-5529-4477-AE06-9B65BE281DE3/contentms/img/Library/Report/CendanaReport_Option-2_FA_For-Web(190220).pdf (Accessed on 25 January 2022).
Glaccone, S.C., & Longo, M.C. (2015). Insights on the innovation hub’s design and management. International Journal of Technology Marketing , 11(1), 97-119.
Hin Bus Depot website. (n.d.). Our Story. Retrieved from https://hinbusdepot.com/story.html
Kadir, S.A., Aris, N.N., & Ginting, N. (2022). Social and Creative Hubs as the Third Places of Post-Covid Era. Environment-Behaviour Proceedings Journal, 7(21), 103-109. https://doi.org/10.21834/ebpj.v7i21.3754
Kalitova, A., Durankova, K., & Kovac, N. (2019). The role of successful creative hubs in fostering sustainable development. 2018=2019 RAUN Papers. "Innovations for Development: Towards Sustainable, Inclusive and Peaceful Societies" United Nations Industrial Development Organization (UNIDO), Regional Academy of United Nations (RAUN). Retrieved from http://www.ra-un.org/uploads/4/7/5/4/47544571/4_unido_the_role_of_ successful_creative_hubs_in_fostering_sustainable_development.pdf
Khoo, S.L., & Badarulzaman, N. (2014a). Branding George Town world heritage site as a city of gastronomy: prospects of creative cities strategy in Penang. International Journal of Culture, Tourism and Hospitality Research , 8(3), 322-332.
Khoo, S.L., & Badarulzaman, N. (2014b). Factors Determining George Town as a City of Gastronomy. Tourism Planning & Development, 1(4), 371-386.
Khoo, S.L., Badarulzaman, N., Samat, N., & Dawood, S.R.S. (2014). Capitalising on urban cultural resources for creative city development: A conceptual review and the way forward for Malaysia’s George Town. GEOGRAFIA Online Malaysia Journal of Society and Space, 10(5), 20-29.
Khoo, S.L. (2016). Understanding culture and creativity in urban development: what it means for George Town, Penang? Geografia-Malaysia Journal of Society and Space, 12(13), 1-11.
Khoo, S.L. (2020a). Towards an inclusive creative city: How ready is the Historic City of George Town, Penang? City, Culture and Society, 23, 100367.
Khoo, S.L. (2020b). Towards A Socially-Inclusive Creative City: What George Town World Heritage Site Can Learn From Japan? Technical Report prepared for the Sumitomo Foundation, Japan.
Khoo, S.L., & Chang, N.S.F. (2021). Creative City as an Urban Development Strategy. The Case of Selected Malaysian Cities. Singapore, Palgrave Macmillan.
London Development Agency (LDA). (2003). Creative London: Vision and plan. London: London Development Agency. Retrieved from https://creativeindustrieslondon.files.wordpress. com/2014/11/creative-london.pdf
MIT Technology Review Insights (2021). 21st century cities: Asia Pacific’s urban transformation. Retrieved from https://mittrinsights.s3.amazonaws.com/21stCenturyCities.pdf
O’Hara, E., & Naik, D. (2021). Mapping Creative Hubs in England. Retrieved from https://creativeconomy.britishcouncil.org/media/resources/Mapping_Creative_Hubs_In_England_.pdf
Rodrigues, M.M., & Franco, M. (2018). Measuring the Performance in Creative Cities: Proposal of a Multidimensional Model. Sustainability, 10(11), 1-21.
Think City Sdn. Bhd. (2019). Kuala Lumpur Creative and Cultural District Strategic Master Plan. Prepared by Kuala Lumpur City Hall and Think City in Collaboration with Ministry of Tourism, Arts and Culture Malaysia and National Heritage Department. Retrieved from https://thinkcity.com.my/publications/KLCCD-Strategic-Masterplan-EN/#page=1
Turner, R. (2020). Situational Analysis of Creative Hubs in Malaysia. Hubs for Good Malaysia. Report prepared for the British Council, Universiti Malaya and Yayasan Sime Darby.
Tunyaporn, H. (2018, August). Ipoh: An attempt to bring back life of Malay Peninsula’s once thriving economic city. Retrieved from https://tunyaarticle.wordpress.com/2018/08/20/ ipoh-an-attempt-to-bring-back-life-of-malay-peninsulas-once-thriving-economic-city/
Virani, T.E. (2015). Re-articulating the creative hub concept as a model for business support in the local creative economy: the case of Mare Street in Hackney, Creativeworks London Working Paper No. 912, Arts & Humanities Research Council and Queen Mary University of London, United Kingdom
Refbacks
- There are currently no refbacks.